After teaching for years, I see more and more why Foxtrot is the hardest dance to follow. First of all, it goes around the floor with the lady walking backwards, an unnatural act. Waltz and Tango do as well, but the definite rhythm of the Waltz makes it easier to keep track of what he might do, and the closer hold of the Tango makes the connection stronger.
Foxtrot is supposed to look easy, floating and gliding, and the syncopated jazzy feel means he can go from six to eight count rhythm any time. The lady (in front) has to keep out of the way, maintain connection, read the partner's intention, and look like she isn't even trying.
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