Jill Johnson, the new director of the dance program within Harvard’s Office for the Arts knows that many people are intimidated by dancing, which makes it hard to be comfortable as a beginner. She encourages nonprofessional dancers not to worry so much about how they look, but to concentrate on how they feel: dance is a way to explore what of ourselves gets expressed, and our relationship to others on the dance floor. “We worry about how we are perceived by others,” she adds. “People say, ‘I’m not a dancer’ and that shuts off curiosity about it. We were born with the capacity to dance! Children who see someone playing music on the street will move to connect with the beat. That instinct gets lost because of who we think we are supposed to be as adults.” Great dancing is not about satisfying the ego — it is “an offering” of your gifts, Johnson says.
There is no doubt of the positive effect, in general, of physical activity on the brain, on cognitive functioning, and on age-related problems, notes David Kahn, an instructor in psychiatry at Harvard Medical School. “But dancing adds another aspect to exercise and its effect on our bodies and brains, because it is a joyous activity.” He is part of Dance New England that holds a Dance Freedom. “Every dance I find some joy in,” Kahn says, “but every once in a while, like the other night, there is a meshing with another dancer and there is a chemistry that is like chocolate melting in your mouth.”
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